Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts
After reading a tweet from @_curses mentioning Tu Bin Bataye, I suddenly craved to listen to Rang De Basanti. Searched on iTunes, wondering if I'd saved the songs on my system - they were on a CD that I'd bought at Landmark - my first with my own money from a research stipend or something. I dumped the CDs (Rang De Basanti, Yuvraaj and many others) last year after holding on to them for years, moving house to house - there is something dear to cassettes and CDs that mp3s just don't give. Anyway, the songs weren't on my system, but Apple Music, which I'd signed up for last week, was happy to give me the album.

For a moment, I was disoriented, gaping at the entire album that had loaded on iTunes. Where was this playing from? Were they streaming? In those few disoriented moments, my mind quickly played in a flash the ways I'd listened to music throughout my life so far. Cassettes, AIR, CDs, mp3, FM, iPod and now...it all rests in the ethereal air around, ready to be plucked and played at a moment's notice.

My mind played this scene etched in my memories: of sitting at the table having breakfast, as All India Radio announced 8 o' clock playing a clip from Raaku Mutthu Raaku, the lead-in music to 'Priya Vision-in Priyamaana Neram'. That meant I was running late, and I'd gulp down breakfast faster.

But AIR has more bad memories in my mind than good. It reminds me of the horrible-sounding kutcheris that would play - records from the 60s or older that would be played on a dry, still afternoon, that my family would insist on listening even as the violin screeched and the singer sang terribly at octaves the human ear cannot hear. They would make me want to burst into tears, all the more because I was learning vocal Carnatic music that days from a teacher who was eroding my confidence weekend after weekend even though I was a fairly good singer. Those horrid kutcheris would remind me of the agony that was to come with the upcoming music class.

Appa would buy, on the day of release, cassettes of AR Rahman movies. Only Rahman movies had the privilege, as other songs would usually be recorded by some music shop guy as a mix tape with other songs. My sister and I would pore over the cover, for they would contain clues of the movie, and read the names of every singer and instrumentalist. Those were the days when I knew who had sung every song Rahman had ever composed. Swapna Awasthi in Chaiyya Chaiyya, but Rehaanaa for Thaiyya Thaiyya. Minmini, Malgudi Subha and Sujatha in the early years of Rahman. These days, I don't know most singers. The cassettes would sometimes have the bonus tiny, folded booklet with the lyrics. My speed of reading Tamil as a child surprises me today, when I increasingly struggle to speak it coherently. It used to take me all of two or three days to know all the lyrics by heart.

Soon, cassettes were replaced by CDs, and within a year or so, with mp3 collections. Some guy would religiously compile songs from 20 odd recent movies, which Appa would bring home. P!racy only :( I took these compilations with me to Singapore, and would know exactly which CD contained songs from any particular movie. These CDs also found their way out last year.

By the time I spent two years in Singapore, there was an explosion in the range of music I listened to, and these CDs could no longer help. I'd freely take songs from others who'd willingly shared their computers on the university LAN. Sometimes, I'd take an entire lot of songs from someone whose taste in music I thought aligned with mine, in the process discover more songs, and cementing my love for music from the 70s.

From when I reached Singapore in 2004, I'd look longingly at iPods that, it seemed, every Singaporean teenager/university student had. There was nothing I wanted more, but I had my financial constraints. I couldn't use Appa's money to buy myself an iPod when there were tuition and boarding fees to pay. Although by second year I'd started earning some dollars doing research, the money went into funding my flight tickets back home or to pay hostel fees. The iPod was a luxury and it had to wait.

I got my chance in my final year. After a six-month internship that paid a stipend, which I'd saved to pay some fees and flight tickets, I decided I could spare $250 for an iPod. On my birthday, with my closest friends around me, I ordered an iPod Nano on the Apple website, as they cheered. It came through five days later, on Oct 9, 2007, and my thrill knew no bounds. The iPod was my own, engraved with 'Life at its resplendent best!'. It was my loyal companion through my everydays at work, during my post-graduation and the difficult pre-wedding months in Delhi. 4 GB seemed less but I used it day in and day out. I lost it in 2014 along with my purse, which was grabbed by two men when I was in an auto. That night, before I went to bed, tears streamed down my cheeks; not for the money or phone I lost, but for losing my beloved musical companion of seven years. Until last year, if I ever saw an old-generation silver iPod Nano, I would quietly take it and turn it to see if it had my engraving.

Today, I have an iPod Nano that's got a touch-screen and no click wheel. There's a phone with Apple Music that plays songs I know and helps me discover stuff from genres I like, and I buy music from iTunes. The radio is relegated to Uber rides, and I don't have a cassette even for nostalgia's sakes. I'm really curious to know what's next in my journey of listening to music. 

Rockstar was the only Hindi movie I wanted to watch badly in 2011. And with much enthusiasm, despite reports of a sagging second half, I set out last weekend to watch it in Eros in Mumbai. Before anything else, it was a pleasure to not watch the movie in a multiplex – it’s been at least six years since I did so! The screen was huge. I was prepared to be blown away – with amazing visuals, and most of all, what I’d come for, Rahman’s music on dolby surround sound (which was surprisingly non-functional in the cinema, I think).

As for the movie – I’ll not talk about the script or the wooden doll Nargis Fakhri (why, Imtiaz Ali – she destroyed the very soul of the movie). To me, the movie did a brilliant job – thanks to Ali, a zillion times from the Rahman fan – bringing the god-awesome-brilliant-out-of-the-world songs to life on screen through Ranbir Kapoor. And is this the guy who was unbearable in Saanwariya all those years ago? Good lord, hasn’t he matured as an actor – this might very well be the break that he got hints of at Wake Up Sid. Thanks to him, the songs sprang to life, dripped with agony, pain, exuding promise, happiness, steeped in anguish, anger, oh-world-up-yours-ness. After watching Sakkarakatti, I realized how directors could mutilate songs on screen (remember the zombies in Chinamma Chilakamma) and make you relive horrific memories the next time you listen to them (it took me a few months to get over those images). Ali has simply made me cherish each song even more, feel the emotion in each song that Mohit Chauhan and Rahman create. After the movie, I became an even bigger fan of Kun Faaya Kun – the beautiful lights, the mosque, the haunting music on screen – love. At 3.15am, a few hours after watching the movie, I played it on the iPod on bed, lay with my eyes closed and – for the first time even though I’ve heard it before – moved to a different plane; one where Rahman’s voice felt as if they were ripples on water; the first bit on the harmonium with Javed Ali’s and Rahman’s voice felt like heaven; and when you realize how the divine sound awoke the music within JJ, Mohit Chauhan’s voice carries a meaning of its own.

And The Dichotomy of Fame – gave me a pleasant shock when I saw Shammi Kapoor playing the shehnai (yes, I could have made the link when he was introduced as a shehnai player) – but it became even more beautiful when Ranbir could so powerfully emote to show his anguish, pain and annoyance – and what, beautifully, brought out the best music in him. Aur Ho, a song I usually paid little attention, became a haunting portrayal of confusion, and knowing what those mysterious lines the lady sings are, makes it lovelier. Sadda Haq became powerful, and I was screaming with joy in the cinema hall. I love Sheher Mein even more, more deeply in love with Phir Se, and must seriously work on editing Tango for Taj my ringtone.

I’m so much more in love with the soundtrack that I don’t mind sitting through the movie again and enduring the pouting woman’s face, just to relive every song and watch Ranbir bring it to life. What more could a Rahman fan – and a true music lover – want?
... here's more on the violin since my last crazy post.


(after 40 sec - check out the wacky, brilliant violin in the background)

Done for the day :D


Aren’t violins simply amazing? Their versatility, their ability to add emotions and a whole new colour to a song are unmatched, I think. Seriously, very few instruments can sit smugly in western music and Carnatic music! 

I’ve always been fascinated by violins and the entire strings family.  As I grew to understand and appreciate the nuances that instrumentation brings to a song, strings became my favourite. I quickly grew to like Lalgudi and Kanyakumari’s renditions and got annoyed with Kunnakudi Vaidyanathan’s weird antics with his violin. And Ilaiyaraja was a demigod, what with the liberal and unassuming ease with which he slipped the violin into his songs and background music – be it the unbeatable Mouna Ragam title tune (oh, I could sink to the floor in joy listening to the orchestration in the end) or the way it cruises throughout the song ‘Kadhalin Deepam Ondru’ (throughout the song, but especially the first interlude), or the loaded violin in ‘Poongatru Pudhinadhu’. And of course, ‘How to Name it’ and ‘And We had a Talk.’ Or the lovely interludes in ‘Valai Osai’ from Sathya. And sample the violins in MSV’s ‘Chittukuruvi’ in Pudhiya Paravai – brilliant! My memory fails me – but Ilaiyaraja really was the master when it comes to violins – I think he really made the most of them. 

And enter Rahman. He brought in a whole new dimension. Be it the rich orchestration in some songs (say, Pacchai Nirame, Oru Deivam Thandha Poove, or Veerapandi Kottaiyile), or the exuberance in Hosana (the last stanza – brilliant!), its utterly cute presence in Omana Penne, or the ridden-with-goodness-and-hope strings in Iruvar’s Aayirathil Naan Oruvan. I am especially a big fan of the way the violin teases the listener in ‘I’ll be Waiting’ from Jhootha Hi Sahi – check out the violin which creeps in the first time Vijay Yesudas sings ‘I’ll be Waiting…’ – it’s just the perfect complement to the mood of the song – enough to make me swoon to the beauty of it all. The beautiful Waltz for a Romance from Lagaan. The emotionally charged bits in Vennalavin Theril Yeri – giving the saxophone a breather in the movie (Duet is one of Rahman’s really, really exceptional albums – purely for the way instruments lead the way). The sheer joy of realization that the violin helps to achieve in Netru Illadha Matram, and conversely, the realization of what you’ve missed out that it brings about in ‘Azhage Sugama.’ The goosebump-raising bit in Pudhu Vellai Mazhai at the end of the second interlude.  And the big daddy of it all, the orchestration in the Bombay Theme. 

I have racked my brains for over an hour trying to think of the best ones from Ilaiyaraja and Rahman that the only non-Indian ones I can think of now would be the bit towards the end in Baba O’ Reilly, The Verve’s Bitter Sweet Symphony, and I think it’s not really the violins – but Kashmir. The start to the Golden Eye theme song also has interesting strings – I love the rapid movement! The theme music in The Last of the Mohicans and Shawshank Redemption are totally amazing too!

Phew! I’ve been wanting to write this for ages, and I’m glad it’s out of the system. I’ve been going crazy trying to want to listen to every single song I’ve written about here. I read this now and it sounds absolutely disjointed and random, and I’m not going to attempt to bring any order into the chaotic thoughts.

P.S.: How on earth could I forget 'Kya Kare Kya Na Kare' - brilliance! 
I'm shocked that the first decade of the new millennium is over. I still remember my sister and I were watching Titanic as 2000 dawned. And close to midnight, we ran to the balcony and counted the seconds to 2000 on her watch. I was a gawky 14-year-old, and she, a college student. She's now a mother! God, I feel so old!

I've been reading so much about the Margazhi season recently, that I am longing to go to Chennai so badly. I'm fiercely jealous of anyone in Chennai right now, and anything that people have to say about the city and the December kutcheries, etc., are capable of causing a spiral into nostalgia. As a kid and as a teenager I used to hate attending a lot of these kutcheries, but thinking back on them now, I figure I rather enjoyed them once I was there. Visions of accompanying paati (all gleaming in her silk saree) to a TM Krishna kutchery in Music Academy, and with amma to TTD for a Nithyashree kutchery seem like glimpses of someone else's life. Not to forget good ol' Krishna Gana Sabha that we used to go to thadukki vizhunda, simply for the sheer proximity of the Sabha to our house. And as years moved on and kutchery outings became rarer, the TV - especially the Margazhi Mahotsavam on Jaya TV - slowly became the window to the world of December season kutcheries.

The other day I asked my mother if Salem had any such thing. Her response indicated Salem didn't even feature in any musician's plans. Obviously, I thought. What wouldn't I give to go back to my life in T.Nagar - to five years back - when life, home, friends and everything outside of Singapore centered on Chennai!

When I think back on 2010, I feel it was a strange 'non-happening' year - despite everything that happened - an escalation of responsibilities at work, carrying the DSLR pretty much everywhere, and opting to have fun by watching movies, eating out and simply yapping away. I think I used up most of 2010 making plans for 2011.

Of course, Spark was among the biggest things that happened in 2010. My writing habit has been whipped back into shape, I have been having great fun editing people's works, reading the brilliant things a lot of them have to say. My awe for anyone who can write poems has increased manifold.

New Year in Chennai meant a trip to Muppathamma Kovil beating its crazy crowds. I haven't been home for New Year's in three years. Midnight would have made no difference at home because I'd be fast asleep :) Tonight, I'm determined to catch the fireworks in Singapore and take some photos of them - fingers crossed!

I know 2011 is going to be a big year. I see it coming. I feel strangely optimistic and confident, and yet my brains are telling me to stay calm and be practical. Keeping in line with my usual levels of resolutions, here's what I plan to do in 2011:

- take Spark to new levels
- more photography. Joining a beginners' class soon!
- travel. Greece is happening next year. I still can't believe it :)
- ice cream at least once a week, but reduce the number of chocolates.
- a return to those long walks I used to take in NTU.
- chart out a proper plan to volunteer/give back - no sporadic money donations,  something bigger.

That's enough, already. Cheers to the New Year! Hope 2011 has more happiness, no disasters or war, amazing health and fun!
Kaise Mujhe was the most beautiful thing in the movie - my love for the song has only gone up exponentially since watching the movie. Brilliance from all angles - A R Rahman, Benny Dayal, Shreya Ghoshal, Aamir Khan, Asin and even the guys behind the movie for giving it the whole out-of-the-earth-floating feel. Just closing my eyes to the song and remembering flashes of the song from the movie chokes me - hardly any other moment in the movie touched me so. So beautiful, so poignant, so moving, so sincere and genuine... oh, 'if music be the food of love, play on', for life without music is ill-spent.
... amma's important update to me for the day was the new Rahman song she had seen on TV - 'jiya se jiya', how Rahman was awesome, the beats, brilliant and the song, rocking!
It’s been ages since I sat down and typed anything sensible in my blog – I must say I’m getting really depressed with the quality of all the writing I’ve been churning out lately; they all just go to show the state of mind I have been in all these days – confused, aimless, happy at times and unhappy quite often too – and one look at the archives of the blog was enough to irritate me into consciousness.

The blog was started when I was new and wide-eyed in Singapore, and those were days when I had something to write about everyday. I am stunned at how these days I hardly make a joyous note of the insignificant things in my life that brighten my day. Guess working does that to people, and I hate it. Working has made me busy, uninspired, mechanical, and don’t get me wrong – there is nothing wrong with my job itself, I love it for all its nice and makes-you-want-to-break-something moments, it’s equally rewarding – but working itself, has changed me. I’m no longer carefree, I realized, and I don’t like that at all. So, well, I decided to spend some good time writing about all the insignificant but momentous things that have been going on in my life these six months of working (gosh, it’s really been that long??).

Graduating. It was joyous, but really felt like I was leaving something of my life behind. Irresponsibility, innocence, the freedom to commit mistakes, starry-eyed-ness about pretty much everything. Campus walks, project-cursing, the benches. And sigh, even exams.



The house. It’s a simple, lovely house where the landlord has generously left behind his stuff that we have conveniently gotten used to using for ourselves. The room I took has a bookcase. Pretty much why I took the room even though it’s small and hardly has a cupboard and didn’t even have a mirror when I moved in. But the bookcase, wooden, light brown, mounted on the wall, really tempted me and I knew I should have it filled. I’m well on my way! (Ignore the fact that it's the bookcase that has to hold anything that won't fit in my silly wardrobe that can ONLY hold my clothes on hangers!) Look at the books! Making way for more..

The work. I have been enjoying, much to my surprise. It’s fun to learn new things, and sometimes it’s good to do things well for that rare element of praise that comes your way. I know – I have to grow up, but heck, I’ve just been working 6 months. Only thing I don’t like as yet is the loss of being/thinking irresponsibly, of having to think twice before narrating your weekend screw-up with the danger that your colleagues think you’ve lost it looming heavily around, and finally, the horrible branding of ‘cute’ on you. While it feels nice to be the youngest in the team, sometimes I feel childish and like I know nothing. Not to say of the millions of times you feel like an idiot for having to ask how to reply to an email or handle a situation. Well, you gotta learn!

Movies, music. So many to even remember and list since I started working. Why, I watched a movie on my first day of work too! Kung Fu Panda. Hilarious. Been enjoying all the best animation, the latest being Bolt – totally worth your time!
Music has been keeping life together as strongly as ever. Even during the fifteen minutes I have in the morning between my shower and leaving for work, I switch the computer on for a loop of the one song that totally fits the mood of the morning. The favourites have been Jashn-e-Bahaara, Iravu Nilavu, Taxi Taxi, Tu Bole Main Boloon, Manmohini Morey, and recently, Guzaarish and Kaise Mujhe. The CD collection is growing, thanks to my proud contributions from my salary. Yuvvraaj kinda disappointed me as I could not find his usual brilliance – and I thought Ghajini was another disappointment until I got hooked to most of the songs. Waiting for the movie to release – should be worth a watch.

There was a karaoke session in between too. Three hours of non-stop fun, where my friends were treated not just to songs they knew but even ‘Engeyum eppodhum’ from Ninaithale
Inikkum, ‘Oru maalai’, and to my utter delight, ‘Pudhu Vellai Mazhai’ and songs from ABBA too! While my throat ached with the sudden overuse for singing, I realized with horror that probably the only sruthi I could sing in these days would be naalarai kattai. At this rate I’ll end up like DK Pattamaal. Shit.

Otherwise… there have been some travel trips. One to Batam, Indonesia for voluntary work, another to Bintan, Indonesia that had the most beautiful beaches I'd seen (the photo - there's the beach, the music and a book - ice cream was the only essential thing missing!). There was also a short trip home during which all that happened was rain, rain and rain like it was the end of the world. It was great fun with my sister’s baby boy and watching his antics and carrying him to various corners in the house and showing him ‘apple’, ‘rat’ and ‘bananas’ off the huge picture of Ganesha in the living room. Miss the boy terribly.

Life still seems to be a dream, like I am living someone else’s life and not mine. Isn’t that a horrible wake-up call? I mentally make a note to start off with various things like continuing my German, learning to swim and paint, but things don’t seem to stick. Maybe it’s time for my first new year resolution! Well, I’ll make it later :D
It's Friday and I'm desperately trying to churn out some fluff writing at work for an event. I realize, with horror, that it turns out to be more difficult than I thought. Nevertheless, I chug on, with extreme happiness that a week with long hours at work is finally coming to an end.

What contributes more to the tempo and enthu in which I'm doing everything is the song I'm listening - Elay! It's cute, funny, fast, interesting and enjoyable! And it's got everything I like - acoustic guitar, a violin that's on a frenzy, Naresh Iyer [;)], pace and interesting and understandable lyrics. And the part of the song I love the most (for reasons I really cannot follow) is the way the song grinds to a halt in the end, with the sudden halt of beats, the chords that still play on and the voice and the words - 'Kaadhal station vandhiruchu vaa...'

I feel like an idiot getting so excited for (of all things), the ending of the song, but.. it's..

Awesome!

Randomness reigns supreme in Vani's life.
I can see what's happened. What?
And they don't have a clue. Who?
They'll fall in love, and here's the bottomline.
Our trio's down to two. Oh.

It doesn't take me much effort to try to remember the first time I heard these words as part of what I spelled then as 'Loin King' soundtrack. It was a dim white tubelight-lit room in my uncle's house in Bombay. I remember the tracks were recorded in a cassette that also held Aqua's tracks, with my own version of the actual Aqua cassette cover drawn on a white paper and inserted in the cassette's front cover. And now, almost 12 years later, I listen to this song on my (new!) iPod, my dream for three years finally in my hands, the delicate, engraved darling.

Listening to music in an iPod is lovely for a number of reasons. First, it holds more songs than any portable music player I have had. Second, the songs are simply awesome to listen to on this. Konjam Nilavu is thrilling, Dil Se Re's silent chals-chals in the interludes amazingly evident, and the acoustic guitar in New York Nagaram's stanzas beautifully travel from one ear to another. Third, I've just wanted it for so long that it feels exhilarating to simply hold it in my hands. It's just becoming extremely difficult for me to maintain my composure and not spread my arms and break into a dance in the middle of the road or in the canteen queue.

The random order in which the songs play just transport me back and forth in time to when I heard the song first or of opinions/ideas I had of it then. Listening to Anjali Anjali (Anjali) today, I suddenly grew surprised at the amount of clarity the lyrics held for me now - has my Tamil significantly improved, or is it the truth that I've suddenly grown up enough to understand so many things? Music always holds associations for me, and this is being reinforced here with the iPod.

iPod is damn smart too. There was one evening when it was rainy and everything, and by some weird coincidence, for almost half an hour, every song either began with thunder or was about rain!

Just when I get all pullarichufied thinking of music and everything, iPod smartly plays 'Thank you for the music' (ABBA): 'Without a song or dance, what are we?'