Saawariya? Nalla kaettan. Konnutan, SLB.
I have to warn you there may be spoilers ahead, and.. oh, wait... there's hardly any story. Never mind, just read on if you will.
Not so long ago, there was a director who made movies which were critically acclaimed, winning National Awards, and so on. And then he made Devdas, a glitzy, filled-with-grandeur-and-big-stars-and-similar-sounding-songs, nevertheless-wildly-successfuly movie, which (unfortunately) beat many other good movies to be India's selection to the Oscars. And he bounced back with Black, brilliance. And now he's back with a miserable fare, just yet.
For those of you who may not know yet, the story is an adaptation of Dostoevsky's 'White Nights', a short story written by him in 1848, of a young lady waiting for her lover to return. Right, it's a short story that has been tortorously stretched to a 2 1/2 hour movie by SLB.
For those of you who have seen Iyarkai in Tamil, trust me when I say that movie was a brilliant adaptation with the same storyline base. What a budding director could do in Iyarkai, SLB failed because of his emphasis on all the wrong things.
So where do I start? At the mind-boggling frequency at which the actors break into a song and dance, at the tenacity of the lead actor to irritate you with his I'm-like-your-son-Lillipop-trust-me and oh-I'm-happy-you-loved-me-at-least-for-a-moment-dear kind of dialogues (seriously, when will Hindi movies grow out of such sentiments??!!), at the sets that make me wonder whether the movie was set in Thailand (there's a huge Buddha) or Baghdad (the mosques a la the Alaadin cartoon's city) or the bars (as in the 1960s or 70s) and yet people appear to be speaking in a more contemporary tongue (I swear, Okay Bye and exchange contemporary Indian currency), or.. phew, you're getting tired, I know.
SLB might as well have made a theatre production instead of a movie! What's with all these sets? Always dark, gullies as in cities in India in the 70s, a picturesque bridge in the middle of nowhere, boats a la Venice taking people from one end of the water body (river? lake? *shrugs*) to the other, roads like in Rome with those huge stones and all, seriously, what was he thinking! It was beautiful in the beginning, and I was awed, but after 20 minutes, it seriously was becoming an eyesore. And the number of times it rained in the movie, oh my God! As my friend put it, 'I think this place is in Meghalaya!' And the shining bulbs and the artistic lighting - as friend said again 'They must have spent at least a crore on electricity alone!' (It's these comments that kept me up through the movie :) )
The hero, Ranbir Raj, 'you can call me Raj'. God, what an agony. Be it his sentimental dialogues, the irritatingly-sticky way he kept pursuing people, his constant talking, and not to forget his semi-nude dance in the towel (an item song for girls, as the friend put it) where he dangerously brandished his towel and let it slip so we could see his taut backside (excuse me!), he was unbearable throughout the movie. And uhh, he looks girly. If not for his semi-nude-towel-act, I wouldn't have gotten a very good opinion of him (nicely toned body! :P).
All the girl did was to cry or laugh like a maniac. I mean, she's worse than me when she laughs :) There's Rani Mukherjee too, as a prostitute, and SLB has spent in gorgeously making up all the women in the red light area, and making them look a little scary, too. There's Salman Khan too, and he looks like a terrorist. He's the mystery man, who impresses the girl because he's sitting in pouring rain and doing his namaz dutifully :) No, girls don't get impressed with just such things in life, before men start getting other ideas.
The music (except, probably, the title song) hardly stayed on in the mind. So much for the lead being a 'rockstar singer'. The dance sequences and songs, typical of Bhansali, were very grand and very theater-ish. Okay, I haven't really seen an opera really, but I've seen them on TV, and this is what they look like. I'm sure this was how Bombay Dreams would have been.
It's just sad that somebody capable of more than this has given such a disappointing movie. His movies, if nothing, at least had very strong characters - the brilliant near-childish and tenacious Ash in HDDCS and her slightly-anguished yet willing to bear it husband in Ajay Devegan, an egoistic drunk in Shah Rukh, a strong-willed deaf-mute-blind in Rani in Black, and of course Amitabh in the same - where did this strength go in this movie? The characters are weak, and not once are you able to sink in with them in the movie, or feel.
I have been really critical and all that, but seriously, I spent three hours on this when I had to be studying for exams, and it's totally not worth it. Sigh, how will I make up for these lost hours!
My advice: Don't spend your time. If you're really a grandeur fan, watch it on DVD later.